| | 1 | Welcome to the TADS 3 Library Sample Game! |
| | 2 | |
| | 3 | Living Room |
| | 4 | It's a nice, big room. A potted plant is the only attempt at decoration. |
| | 5 | Passages lead north, east, and west. To the south, the front door of the house |
| | 6 | leads outside. |
| | 7 | |
| | 8 | An old television, a huge, boxy, massive-looking thing, sits on the floor. |
| | 9 | |
| | 10 | You see a PO Box, a small red ball, a red book, an iron key, a clear jar, a |
| | 11 | green jar (which contains two copper coins), a blue test booklet, a brass key, |
| | 12 | a brown box, a tricycle, a rusty key, a green ball, an 8-ball, a large red |
| | 13 | ball, eight coins (five gold and three silver), and a phone book here. |
| | 14 | |
| | 15 | Bill and Bob are standing here. |
| | 16 | |
| | 17 | >bill, s. close door. n |
| | 18 | Bill opens the front door. |
| | 19 | |
| | 20 | Bill leaves through the front door. |
| | 21 | |
| | 22 | Someone closes the front door from the other side. |
| | 23 | |
| | 24 | Someone opens the front door from the other side. |
| | 25 | |
| | 26 | Bill enters through the front door. |
| | 27 | |
| | 28 | >bill, follow me |
| | 29 | "Okay, I will follow you." |
| | 30 | |
| | 31 | >w |
| | 32 | Platform Room |
| | 33 | This room is obviously highly contrived. Filling one end of the room is a |
| | 34 | platform, almost like a theater stage, raised a couple of feet above the floor. |
| | 35 | At opposite ends of the platform are two smaller platforms, one red and one |
| | 36 | blue; atop each smaller platform is a chair of the same color as its platform. |
| | 37 | In the center of the main platform is a raised dais, upon which are a wooden |
| | 38 | stool and a leather armchair. |
| | 39 | |
| | 40 | The only exit is east. |
| | 41 | |
| | 42 | On the main platform is a large white box, about waist high and quite roomy. |
| | 43 | |
| | 44 | You can hear a high-pitched beeping noise. |
| | 45 | |
| | 46 | Bill enters from the east. |
| | 47 | |
| | 48 | >sit in box |
| | 49 | (first standing on the main platform) |
| | 50 | You can't do that because the white box is closed. |
| | 51 | |
| | 52 | Bill stands on the main platform. |
| | 53 | |
| | 54 | >open box |
| | 55 | Opening the white box reveals a beeper. |
| | 56 | |
| | 57 | A small trap door is set into the floor of the box. |
| | 58 | |
| | 59 | The beeper is making a piercing beeping noise. |
| | 60 | |
| | 61 | >sit in box |
| | 62 | Okay, you're now sitting in the white box. |
| | 63 | |
| | 64 | Bill stands in the white box. |
| | 65 | |
| | 66 | >bill, sit |
| | 67 | Bill sits in the white box. |
| | 68 | |
| | 69 | >close box |
| | 70 | You close the white box. |
| | 71 | |
| | 72 | It is now pitch black. |
| | 73 | |
| | 74 | >stand |
| | 75 | There's not enough room to stand up in the box while it's closed. |
| | 76 | |
| | 77 | You can hear a high-pitched beeping noise. |
| | 78 | |
| | 79 | >bill, stand |
| | 80 | You see no bill here. |
| | 81 | |
| | 82 | >l |
| | 83 | In the dark (sitting) |
| | 84 | It's pitch black. |
| | 85 | |
| | 86 | You can hear a high-pitched beeping noise. |
| | 87 | |
| | 88 | >e |
| | 89 | It's too dark; you can't see where you're going. |
| | 90 | |
| | 91 | >open box |
| | 92 | You open the white box. |
| | 93 | |
| | 94 | Platform Room (sitting in the white box) |
| | 95 | This room is obviously highly contrived. Filling one end of the room is a |
| | 96 | platform, almost like a theater stage, raised a couple of feet above the floor. |
| | 97 | At opposite ends of the platform are two smaller platforms, one red and one |
| | 98 | blue; atop each smaller platform is a chair of the same color as its platform. |
| | 99 | In the center of the main platform is a raised dais, upon which are a wooden |
| | 100 | stool and a leather armchair. |
| | 101 | |
| | 102 | The only exit is east. |
| | 103 | |
| | 104 | On the main platform is a white box (which contains a beeper). |
| | 105 | |
| | 106 | A small trap door is set into the floor of the box. |
| | 107 | |
| | 108 | Bill is sitting in the white box. |
| | 109 | |
| | 110 | The beeper is making a piercing beeping noise. |
| | 111 | |
| | 112 | >bill, follow me |
| | 113 | "Okay, I will follow you." |
| | 114 | |
| | 115 | >sit on red chair |
| | 116 | (first getting out of the white box, then standing on the red platform) |
| | 117 | Okay, you're now sitting on the red chair. |
| | 118 | |
| | 119 | Bill gets out of the white box. |
| | 120 | |
| | 121 | Bill stands on the red platform. |
| | 122 | |
| | 123 | >sit on blue chair |
| | 124 | (first standing up, then getting off of the red platform, then standing on the |
| | 125 | blue platform) |
| | 126 | Okay, you're now sitting on the blue chair. |
| | 127 | |
| | 128 | Bill gets off of the red platform. |
| | 129 | |
| | 130 | Bill stands on the blue platform. |
| | 131 | |
| | 132 | >sit on stool |
| | 133 | (first standing up, then getting off of the blue platform, then standing on the |
| | 134 | dais) |
| | 135 | Okay, you're now sitting on the stool. |
| | 136 | |
| | 137 | Bill gets off of the blue platform. |
| | 138 | |
| | 139 | Bill stands on the dais. |
| | 140 | |
| | 141 | The beeper is making a piercing beeping noise. |
| | 142 | |
| | 143 | >sit on armchair |
| | 144 | (first standing up) |
| | 145 | Okay, you're now sitting in the armchair. |
| | 146 | |
| | 147 | >e |
| | 148 | (first standing up, then getting off of the dais, then getting off of the main |
| | 149 | platform) |
| | 150 | |
| | 151 | Living Room |
| | 152 | It's a nice, big room. A potted plant is the only attempt at decoration. |
| | 153 | Passages lead north, east, and west. To the south, the front door of the house |
| | 154 | leads outside. |
| | 155 | |
| | 156 | An old television, a huge, boxy, massive-looking thing, sits on the floor. |
| | 157 | |
| | 158 | You see a PO Box, a small red ball, a red book, an iron key, a clear jar, a |
| | 159 | green jar (which contains two copper coins), a blue test booklet, a brass key, |
| | 160 | a brown box, a tricycle, a rusty key, a green ball, an 8-ball, a large red |
| | 161 | ball, eight coins (five gold and three silver), and a phone book here. |
| | 162 | |
| | 163 | Bob is standing here. |
| | 164 | |
| | 165 | Bill enters from the west. |
| | 166 | |
| | 167 | >bob, follow bill |
| | 168 | "Okay, I will follow Bill." |
| | 169 | |
| | 170 | >n |
| | 171 | Dining Room |
| | 172 | This medium-sized room[1] has a dining table and a couple of chairs, one |
| | 173 | upholstered in dark fabric and other in light fabric. A door (closed) leads |
| | 174 | north. |
| | 175 | |
| | 176 | A trophy is visible in a small alcove set into the top of one wall. |
| | 177 | |
| | 178 | A bouquet of flowers is arranged in a vase in the center of the table. |
| | 179 | |
| | 180 | On the table are a red candle, a white candle, a stretchy bag, a cookie tin, |
| | 181 | and an inflatable rubber raft. |
| | 182 | |
| | 183 | The flowers have a pleasant fragrance. |
| | 184 | |
| | 185 | Bill enters from the south. |
| | 186 | |
| | 187 | (A number in [square brackets] like the one above refers to a footnote, which |
| | 188 | you can read by typing FOOTNOTE followed by the number: FOOTNOTE 1, for |
| | 189 | example. Footnotes usually contain added background information that might be |
| | 190 | interesting but isn't essential to the story. If you'd prefer not to see |
| | 191 | footnotes at all, you can control their appearance by typing FOOTNOTES.) |
| | 192 | |
| | 193 | >z |
| | 194 | Time passes... |
| | 195 | |
| | 196 | Bob enters from the south. |
| | 197 | |
| | 198 | >footnote 2 |
| | 199 | The story has never referred to any such footnote. |
| | 200 | |
| | 201 | >footnote 1 |
| | 202 | This is just a sample note for the dining room. |
| | 203 | |
| | 204 | >x dining table |
| | 205 | It's a large[2] oval table. On the table are a red candle, a white candle, a |
| | 206 | stretchy bag, a cookie tin, and an inflatable rubber raft. |
| | 207 | |
| | 208 | A bouquet of flowers is arranged in a vase in the center of the table. |
| | 209 | |
| | 210 | >footnote 2 |
| | 211 | Okay, it's not all that large. Medium-sized sounds so weak, though. |
| | 212 | |
| | 213 | >x trophy |
| | 214 | It's shaped like a big cup, and looks to be made of silver. |
| | 215 | |
| | 216 | >x alcove |
| | 217 | It's a small, arched alcove, set high up on the wall, near the ceiling. |
| | 218 | |
| | 219 | A trophy is visible in a small alcove set into the top of one wall. |
| | 220 | |
| | 221 | >smell |
| | 222 | The flowers have a pleasant fragrance. |
| | 223 | |
| | 224 | >smell flowers |
| | 225 | The flowers have a strong, well, flowery fragrance. |
| | 226 | |
| | 227 | >smell vase |
| | 228 | The flowers have a pleasant fragrance. |
| | 229 | |
| | 230 | >listen |
| | 231 | You hear nothing out of the ordinary. |
| | 232 | |
| | 233 | >look in alcove |
| | 234 | A trophy is visible in a small alcove set into the top of one wall. |
| | 235 | |
| | 236 | >get the trophy |
| | 237 | You can't reach the trophy from here; the alcove is too high up. You might be |
| | 238 | able to reach the alcove if you were standing on something. |
| | 239 | |
| | 240 | >stand on table |
| | 241 | Okay, you're now standing on the table. |
| | 242 | |
| | 243 | Bill stands on the table. |
| | 244 | |
| | 245 | >get the trophy |
| | 246 | Taken. |
| | 247 | |
| | 248 | Bob stands on the table. |
| | 249 | |
| | 250 | >get off table |
| | 251 | Okay, you're no longer on the table. |
| | 252 | |
| | 253 | Bill gets off of the table. |
| | 254 | |
| | 255 | >n |
| | 256 | (first opening the door) |
| | 257 | |
| | 258 | Back Yard |
| | 259 | This small yard has a well-kept lawn. The edges of the yard are defined by |
| | 260 | thick, tall hedges. An old garden shed occupies the northwest corner of the |
| | 261 | yard. A door into the house is to the south. |
| | 262 | |
| | 263 | In the center of the yard, floating in mid-air, is a red sphere. |
| | 264 | |
| | 265 | Bill enters through the back door of the house. |
| | 266 | |
| | 267 | >x sphere |
| | 268 | The red sphere floats unnervingly in mid-air, with no apparent mechanical means |
| | 269 | of suspension. It does not hover like a balloon, but seems absolutely still, |
| | 270 | as though firmly attached to an invisible pole. |
| | 271 | |
| | 272 | Bob enters through the back door of the house. |
| | 273 | |
| | 274 | >get it |
| | 275 | The sphere is strangely fixed in place; it resists your attempts to move it. |
| | 276 | It does seem to be able to rotate freely on its vertical axis, though, so you |
| | 277 | could probably turn it if you wanted to. |
| | 278 | |
| | 279 | >open it |
| | 280 | That is not something you can open. |
| | 281 | |
| | 282 | >eat it |
| | 283 | The red sphere does not appear to be edible. |
| | 284 | |
| | 285 | >put it in the duffel |
| | 286 | (first trying to take the red sphere) |
| | 287 | The sphere is strangely fixed in place; it resists your attempts to move it. |
| | 288 | It does seem to be able to rotate freely on its vertical axis, though, so you |
| | 289 | could probably turn it if you wanted to. |
| | 290 | |
| | 291 | >turn it |
| | 292 | Although the sphere is immovably fixed in space, it rotates so freely that it |
| | 293 | feels weightless. You give it the lightest touch, and it starts spinning |
| | 294 | wildly, so fast that it becomes a featureless, glowing blur. After a few |
| | 295 | moments, it abruptly comes to a stop, and you see that its color has changed to |
| | 296 | blue. |
| | 297 | |
| | 298 | >push it |
| | 299 | The sphere is strangely fixed in place; it resists your attempts to move it. |
| | 300 | It does seem to be able to rotate freely on its vertical axis, though, so you |
| | 301 | could probably turn it if you wanted to. |
| | 302 | |
| | 303 | >x door |
| | 304 | Which door do you mean, the door of the shed, or the back door of the house? |
| | 305 | |
| | 306 | >both |
| | 307 | back door of the house: It leads south, into the house. It's open. |
| | 308 | |
| | 309 | door of the shed: It leads into the shed. It's closed. |
| | 310 | |
| | 311 | >close door |
| | 312 | You close the back door of the house. |
| | 313 | |
| | 314 | >open door |
| | 315 | Which door do you mean, the door of the shed, or the back door of the house? |
| | 316 | |
| | 317 | >back door |
| | 318 | Opened. |
| | 319 | |
| | 320 | >nw |
| | 321 | (first opening the door of the shed) |
| | 322 | |
| | 323 | Shed |
| | 324 | There's barely room to stand up or turn around in this tiny storage space. The |
| | 325 | north wall has a few deep shelves, but otherwise the structure is featureless. |
| | 326 | A door leads out to the southeast. |
| | 327 | |
| | 328 | On the shelf are a flashlight, a box of rat poison, and a book of matches. |
| | 329 | |
| | 330 | Bill enters through the door. |
| | 331 | |
| | 332 | >eat rat poison |
| | 333 | It's not very tasty, but it sure is deadly. |
| | 334 | |
| | 335 | *** YOU HAVE DIED *** |
| | 336 | |
| | 337 | Would you like to RESTORE a saved position, RESTART the story, UNDO the last |
| | 338 | move, see the CREDITS, or QUIT? |
| | 339 | |
| | 340 | >undo |
| | 341 | Taking back one turn: "eat rat poison". |
| | 342 | |
| | 343 | Shed |
| | 344 | There's barely room to stand up or turn around in this tiny storage space. The |
| | 345 | north wall has a few deep shelves, but otherwise the structure is featureless. |
| | 346 | A door leads out to the southeast. |
| | 347 | |
| | 348 | On the shelf are a flashlight, a box of rat poison, and a book of matches. |
| | 349 | |
| | 350 | Bill is standing here. |
| | 351 | |
| | 352 | >look in box |
| | 353 | It's full of white powder. |
| | 354 | |
| | 355 | Bob enters through the door. |
| | 356 | |
| | 357 | >x book of matches |
| | 358 | It's closed. |
| | 359 | |
| | 360 | >x matches |
| | 361 | It's closed. |
| | 362 | |
| | 363 | >get flashlight |
| | 364 | Taken. |
| | 365 | |
| | 366 | >get matches |
| | 367 | Taken. |
| | 368 | |
| | 369 | >x it |
| | 370 | It's closed. |
| | 371 | |
| | 372 | >open it |
| | 373 | Opening the book of matches reveals five matches. |
| | 374 | |
| | 375 | >x matches |
| | 376 | It's open, and contains five matches. |
| | 377 | |
| | 378 | >get two matches |
| | 379 | match: |
| | 380 | (first opening the duffel bag, then putting the keyring in it to make room) |
| | 381 | Taken. |
| | 382 | |
| | 383 | match: |
| | 384 | (first putting the trophy in the duffel bag to make room) |
| | 385 | Taken. |
| | 386 | |
| | 387 | >i |
| | 388 | You are carrying a duffel bag (which contains a keyring and a trophy), a |
| | 389 | flashlight, a book of matches (which contains three matches), and two matches. |
| | 390 | |
| | 391 | >x matches |
| | 392 | match: The match is an ordinary match. |
| | 393 | |
| | 394 | match: The match is an ordinary match. |
| | 395 | |
| | 396 | book of matches: It's open, and contains three matches. |
| | 397 | |
| | 398 | >get match |
| | 399 | (first putting the flashlight in the duffel bag to make room) |
| | 400 | You take the match. |
| | 401 | |
| | 402 | >light match |
| | 403 | You strike the match, igniting a small flame. |
| | 404 | |
| | 405 | >i |
| | 406 | You are carrying a duffel bag (which contains a keyring, a trophy, and a |
| | 407 | flashlight), a book of matches (which contains two matches), and three matches |
| | 408 | (one lit). |
| | 409 | |
| | 410 | >extinguish match |
| | 411 | You put out the match, which disappears into a cloud of ash. |
| | 412 | |
| | 413 | >i |
| | 414 | You are carrying a duffel bag (which contains a keyring, a trophy, and a |
| | 415 | flashlight), a book of matches (which contains two matches), and two matches. |
| | 416 | |
| | 417 | >undo |
| | 418 | Taking back one turn: "i". |
| | 419 | |
| | 420 | Shed |
| | 421 | There's barely room to stand up or turn around in this tiny storage space. The |
| | 422 | north wall has a few deep shelves, but otherwise the structure is featureless. |
| | 423 | A door leads out to the southeast. |
| | 424 | |
| | 425 | On the shelf is a box of rat poison. |
| | 426 | |
| | 427 | Bob and Bill are standing here. |
| | 428 | |
| | 429 | >undo |
| | 430 | Taking back one turn: "extinguish match". |
| | 431 | |
| | 432 | Shed |
| | 433 | There's barely room to stand up or turn around in this tiny storage space. The |
| | 434 | north wall has a few deep shelves, but otherwise the structure is featureless. |
| | 435 | A door leads out to the southeast. |
| | 436 | |
| | 437 | On the shelf is a box of rat poison. |
| | 438 | |
| | 439 | Bob and Bill are standing here. |
| | 440 | |
| | 441 | >drop match |
| | 442 | Which match do you mean, an unlit match, or the lit match? |
| | 443 | |
| | 444 | >unlit |
| | 445 | Which match do you mean, one of your matches, or a match in your book of |
| | 446 | matches? |
| | 447 | |
| | 448 | >one of my matches |
| | 449 | Dropped. |
| | 450 | |
| | 451 | The match finishes burning, and disappears into a cloud of ash. |
| | 452 | |
| | 453 | >i |
| | 454 | You are carrying a duffel bag (which contains a keyring, a trophy, and a |
| | 455 | flashlight), a book of matches (which contains two matches), and a match. |
| | 456 | |
| | 457 | >l |
| | 458 | Shed |
| | 459 | There's barely room to stand up or turn around in this tiny storage space. The |
| | 460 | north wall has a few deep shelves, but otherwise the structure is featureless. |
| | 461 | A door leads out to the southeast. |
| | 462 | |
| | 463 | You see a match here. On the shelf is a box of rat poison. |
| | 464 | |
| | 465 | Bob and Bill are standing here. |
| | 466 | |
| | 467 | >get match |
| | 468 | You take the match. |
| | 469 | |
| | 470 | >x door |
| | 471 | It leads out of the shed. It's open. |
| | 472 | |
| | 473 | >out |
| | 474 | Back Yard |
| | 475 | This small yard has a well-kept lawn. The edges of the yard are defined by |
| | 476 | thick, tall hedges. An old garden shed occupies the northwest corner of the |
| | 477 | yard. A door into the house is to the south. |
| | 478 | |
| | 479 | In the center of the yard, floating in mid-air, is a blue sphere. |
| | 480 | |
| | 481 | Bill enters through the door of the shed. |
| | 482 | |
| | 483 | >close door |
| | 484 | (the door of the shed) |
| | 485 | Closed. |
| | 486 | |
| | 487 | Someone opens the door of the shed from the other side. |
| | 488 | |
| | 489 | Bob enters through the door of the shed. |
| | 490 | |
| | 491 | >s |
| | 492 | Dining Room |
| | 493 | This medium-sized room has a dining table and a couple of chairs, one |
| | 494 | upholstered in dark fabric and other in light fabric. A door (open) leads |
| | 495 | north. |
| | 496 | |
| | 497 | A small alcove is set near the top of one wall, up near the ceiling. |
| | 498 | |
| | 499 | A bouquet of flowers is arranged in a vase in the center of the table. |
| | 500 | |
| | 501 | On the table are a red candle, a white candle, a stretchy bag, a cookie tin, |
| | 502 | and an inflatable rubber raft. |
| | 503 | |
| | 504 | The flowers have a pleasant fragrance. |
| | 505 | |
| | 506 | Bill enters through the door. |
| | 507 | |
| | 508 | >get raft |
| | 509 | (first putting the book of matches in the duffel bag to make room) |
| | 510 | Taken. |
| | 511 | |
| | 512 | Bob enters through the door. |
| | 513 | |
| | 514 | >put it in the tin |
| | 515 | Done. |
| | 516 | |
| | 517 | >inflate it |
| | 518 | You cannot do that because it would make the inflatable rubber raft too large |
| | 519 | for the cookie tin. |
| | 520 | |
| | 521 | >put it in the stretchy bag |
| | 522 | (first taking the inflatable rubber raft) |
| | 523 | Done. |
| | 524 | |
| | 525 | >put stretchy bag in tin |
| | 526 | (first taking the stretchy bag) |
| | 527 | Done. |
| | 528 | |
| | 529 | >inflate raft |
| | 530 | You cannot do that because it would make the stretchy bag too large for the |
| | 531 | cookie tin. |
| | 532 | |
| | 533 | >get bag |
| | 534 | You take the stretchy bag. |
| | 535 | |
| | 536 | >inflate raft |
| | 537 | You cannot do that because the stretchy bag would become too large for you to |
| | 538 | hold. |
| | 539 | |
| | 540 | >drop bag |
| | 541 | Which bag do you mean, the stretchy bag, or the duffel bag? |
| | 542 | |
| | 543 | >stretchy |
| | 544 | Dropped. |
| | 545 | |
| | 546 | >inflate raft |
| | 547 | It takes all your strength, but you manage to blow up the raft. You might feel |
| | 548 | light-headed for a bit. |
| | 549 | |
| | 550 | >get bag |
| | 551 | The stretchy bag is too large for you to hold. |
| | 552 | |
| | 553 | >put bag in tin |
| | 554 | (the duffel bag) |
| | 555 | Done. |
| | 556 | |
| | 557 | >undo |
| | 558 | Taking back one turn: "put bag in tin". |
| | 559 | |
| | 560 | Dining Room |
| | 561 | This medium-sized room has a dining table and a couple of chairs, one |
| | 562 | upholstered in dark fabric and other in light fabric. A door (open) leads |
| | 563 | north. |
| | 564 | |
| | 565 | A small alcove is set near the top of one wall, up near the ceiling. |
| | 566 | |
| | 567 | A bouquet of flowers is arranged in a vase in the center of the table. |
| | 568 | |
| | 569 | You see a stretchy bag (which contains an inflatable rubber raft) here. On the |
| | 570 | table are a red candle, a white candle, and a cookie tin. |
| | 571 | |
| | 572 | Bob and Bill are standing here. |
| | 573 | |
| | 574 | The flowers have a pleasant fragrance. |
| | 575 | |
| | 576 | >put stretchy bag in tin |
| | 577 | (first trying to take the stretchy bag) |
| | 578 | The stretchy bag is too large for you to hold. |
| | 579 | |
| | 580 | >deflate raft |
| | 581 | You let the air out of the raft, which flattens into a bunched-up pile of |
| | 582 | yellow rubber. |
| | 583 | |
| | 584 | >put stretchy bag in tin |
| | 585 | (first taking the stretchy bag) |
| | 586 | Done. |
| | 587 | |
| | 588 | >get tin |
| | 589 | Taken. |
| | 590 | |
| | 591 | >i |
| | 592 | You are carrying a duffel bag (which contains a keyring, a trophy, a |
| | 593 | flashlight, and a book of matches (which contains two matches)), two matches, |
| | 594 | and a cookie tin (which contains a stretchy bag (which contains an inflatable |
| | 595 | rubber raft)). |
| | 596 | |
| | 597 | >l |
| | 598 | Dining Room |
| | 599 | This medium-sized room has a dining table and a couple of chairs, one |
| | 600 | upholstered in dark fabric and other in light fabric. A door (open) leads |
| | 601 | north. |
| | 602 | |
| | 603 | A small alcove is set near the top of one wall, up near the ceiling. |
| | 604 | |
| | 605 | A bouquet of flowers is arranged in a vase in the center of the table. |
| | 606 | |
| | 607 | On the table are a red candle and a white candle. |
| | 608 | |
| | 609 | Bob and Bill are standing here. |
| | 610 | |
| | 611 | The flowers have a pleasant fragrance. |
| | 612 | |
| | 613 | >light white candle |
| | 614 | (with your match) |
| | 615 | (first lighting the match) |
| | 616 | You light the white candle. |
| | 617 | |
| | 618 | >x white candle |
| | 619 | The candle has barely been used. It's lit. |
| | 620 | |
| | 621 | The match finishes burning, and disappears into a cloud of ash. |
| | 622 | |
| | 623 | >i |
| | 624 | You are carrying a duffel bag (which contains a keyring, a trophy, a |
| | 625 | flashlight, and a book of matches (which contains two matches)), a match, and a |
| | 626 | cookie tin (which contains a stretchy bag (which contains an inflatable rubber |
| | 627 | raft)). |
| | 628 | |
| | 629 | >s |
| | 630 | Living Room |
| | 631 | It's a nice, big room. A potted plant is the only attempt at decoration. |
| | 632 | Passages lead north, east, and west. To the south, the front door of the house |
| | 633 | leads outside. |
| | 634 | |
| | 635 | An old television, a huge, boxy, massive-looking thing, sits on the floor. |
| | 636 | |
| | 637 | You see a PO Box, a small red ball, a red book, an iron key, a clear jar, a |
| | 638 | green jar (which contains two copper coins), a blue test booklet, a brass key, |
| | 639 | a brown box, a tricycle, a rusty key, a green ball, an 8-ball, a large red |
| | 640 | ball, eight coins (five gold and three silver), and a phone book here. |
| | 641 | |
| | 642 | Bill enters from the north. |
| | 643 | |
| | 644 | >push tv north |
| | 645 | Dining Room |
| | 646 | This medium-sized room has a dining table and a couple of chairs, one |
| | 647 | upholstered in dark fabric and other in light fabric. A door (open) leads |
| | 648 | north. |
| | 649 | |
| | 650 | A small alcove is set near the top of one wall, up near the ceiling. |
| | 651 | |
| | 652 | A bouquet of flowers is arranged in a vase in the center of the table. |
| | 653 | |
| | 654 | On the table are a red candle and a white candle (providing light). |
| | 655 | |
| | 656 | Bob is standing here. |
| | 657 | |
| | 658 | The flowers have a pleasant fragrance. |
| | 659 | |
| | 660 | You push the television into the area. |
| | 661 | |
| | 662 | Bob leaves to the south. |
| | 663 | |
| | 664 | Bill enters from the south. |
| | 665 | |
| | 666 | >bob, sit on light chair |
| | 667 | You see no bob here. |
| | 668 | |
| | 669 | >z |
| | 670 | Time passes... |
| | 671 | |
| | 672 | Bob enters from the south. |
| | 673 | |
| | 674 | >bob, sit on lighter chair |
| | 675 | Bob sits on the lighter chair. |
| | 676 | |
| | 677 | >bill, sit on chair |
| | 678 | Bill sits on the darker chair. |
| | 679 | |
| | 680 | >push tv north |
| | 681 | The television's casters are too small to allow the TV to go beyond this point. |
| | 682 | |
| | 683 | >push tv south |
| | 684 | Living Room |
| | 685 | It's a nice, big room. A potted plant is the only attempt at decoration. |
| | 686 | Passages lead north, east, and west. To the south, the front door of the house |
| | 687 | leads outside. |
| | 688 | |
| | 689 | You see a PO Box, a small red ball, a red book, an iron key, a clear jar, a |
| | 690 | green jar (which contains two copper coins), a blue test booklet, a brass key, |
| | 691 | a brown box, a tricycle, a rusty key, a green ball, an 8-ball, a large red |
| | 692 | ball, eight coins (five gold and three silver), and a phone book here. |
| | 693 | |
| | 694 | You push the television into the area. |
| | 695 | |
| | 696 | >push tv south |
| | 697 | The television's casters are too small to allow the TV to go beyond this point. |
| | 698 | |
| | 699 | >w |
| | 700 | Platform Room |
| | 701 | This room is obviously highly contrived. Filling one end of the room is a |
| | 702 | platform, almost like a theater stage, raised a couple of feet above the floor. |
| | 703 | At opposite ends of the platform are two smaller platforms, one red and one |
| | 704 | blue; atop each smaller platform is a chair of the same color as its platform. |
| | 705 | In the center of the main platform is a raised dais, upon which are a wooden |
| | 706 | stool and a leather armchair. |
| | 707 | |
| | 708 | The only exit is east. |
| | 709 | |
| | 710 | On the main platform is a large white box, about waist high and quite roomy. |
| | 711 | |
| | 712 | A small trap door is set into the floor of the box. |
| | 713 | |
| | 714 | The beeper is making a piercing beeping noise. |
| | 715 | |
| | 716 | >sit in box |
| | 717 | (first standing on the main platform) |
| | 718 | Okay, you're now sitting in the white box. |
| | 719 | |
| | 720 | >close box |
| | 721 | You close the white box. |
| | 722 | |
| | 723 | It is now pitch black. |
| | 724 | |
| | 725 | You can hear a high-pitched beeping noise. |
| | 726 | |
| | 727 | >listen |
| | 728 | You can hear a high-pitched beeping noise. |
| | 729 | |
| | 730 | >get pager |
| | 731 | Taken. |
| | 732 | |
| | 733 | >x it |
| | 734 | It's too dark to do that. |
| | 735 | |
| | 736 | >light flashlight |
| | 737 | You see no flashlight here. |
| | 738 | |
| | 739 | >i |
| | 740 | You are carrying a duffel bag, a match, a cookie tin, and a beeper. |
| | 741 | |
| | 742 | You can hear a high-pitched beeping noise. |
| | 743 | |
| | 744 | >look in duffel |
| | 745 | It's too dark to do that. |
| | 746 | |
| | 747 | >open box |
| | 748 | You open the white box. |
| | 749 | |
| | 750 | Platform Room (sitting in the white box) |
| | 751 | This room is obviously highly contrived. Filling one end of the room is a |
| | 752 | platform, almost like a theater stage, raised a couple of feet above the floor. |
| | 753 | At opposite ends of the platform are two smaller platforms, one red and one |
| | 754 | blue; atop each smaller platform is a chair of the same color as its platform. |
| | 755 | In the center of the main platform is a raised dais, upon which are a wooden |
| | 756 | stool and a leather armchair. |
| | 757 | |
| | 758 | The only exit is east. |
| | 759 | |
| | 760 | On the main platform is a white box. |
| | 761 | |
| | 762 | A small trap door is set into the floor of the box. |
| | 763 | |
| | 764 | >get flashl |
| | 765 | Taken. |
| | 766 | |
| | 767 | >i |
| | 768 | You are carrying a duffel bag (which contains a keyring, a trophy, and a book |
| | 769 | of matches (which contains two matches)), a match, a cookie tin (which contains |
| | 770 | a stretchy bag (which contains an inflatable rubber raft)), a beeper, and a |
| | 771 | flashlight. |
| | 772 | |
| | 773 | The beeper is making a piercing beeping noise. |
| | 774 | |
| | 775 | >close box |
| | 776 | You close the white box. |
| | 777 | |
| | 778 | It is now pitch black. |
| | 779 | |
| | 780 | >i |
| | 781 | You are carrying a duffel bag, a match, a cookie tin, a beeper, and a |
| | 782 | flashlight. |
| | 783 | |
| | 784 | You can hear a high-pitched beeping noise. |
| | 785 | |
| | 786 | >light flashlight |
| | 787 | Okay, the flashlight is now on. |
| | 788 | |
| | 789 | White box (sitting) |
| | 790 | You are sitting in the white box. |
| | 791 | |
| | 792 | A small trap door is set into the floor of the box. |
| | 793 | |
| | 794 | >e |
| | 795 | You can't go that way. Obvious exits lead down and out. |
| | 796 | |
| | 797 | >open box |
| | 798 | You open the white box. |
| | 799 | |
| | 800 | >e |
| | 801 | (first standing up, then getting out of the white box, then getting off of the |
| | 802 | main platform) |
| | 803 | |
| | 804 | Living Room |
| | 805 | It's a nice, big room. A potted plant is the only attempt at decoration. |
| | 806 | Passages lead north, east, and west. To the south, the front door of the house |
| | 807 | leads outside. |
| | 808 | |
| | 809 | An old television, a huge, boxy, massive-looking thing, sits on the floor. |
| | 810 | |
| | 811 | You see a PO Box, a small red ball, a red book, an iron key, a clear jar, a |
| | 812 | green jar (which contains two copper coins), a blue test booklet, a brass key, |
| | 813 | a brown box, a tricycle, a rusty key, a green ball, an 8-ball, a large red |
| | 814 | ball, eight coins (five gold and three silver), and a phone book here. |
| | 815 | |
| | 816 | The beeper is making a piercing beeping noise. |
| | 817 | |
| | 818 | >put copper coin in jar |
| | 819 | (first putting the match in the duffel bag to make room, then opening the green |
| | 820 | jar, then taking the copper coin) |
| | 821 | You put the copper coin in the clear jar. |
| | 822 | |
| | 823 | >x jra |
| | 824 | The word "jra" is not necessary in this story. |
| | 825 | |
| | 826 | (If this was an accidental misspelling, you can correct it by typing OOPS |
| | 827 | followed by the corrected word now. Any time the story points out an unknown |
| | 828 | word, you can correct a misspelling using OOPS as your next command.) |
| | 829 | |
| | 830 | >x jar |
| | 831 | Which jar do you mean, the green jar, or the clear jar? |
| | 832 | |
| | 833 | >both |
| | 834 | clear jar: It's made of clear glass. It's open, and contains a copper coin. |
| | 835 | |
| | 836 | green jar: It's made of transparent green glass. It's open, and contains a |
| | 837 | copper coin. |
| | 838 | |
| | 839 | >e |
| | 840 | Den |
| | 841 | This small room is dominated by a desk, a massive steel edifice painted a drab |
| | 842 | gray, something that would be more at home in a government office during the |
| | 843 | cold war. Behind the desk, built in to the north wall, is a bookcase. A |
| | 844 | passage leads west. |
| | 845 | |
| | 846 | A big, old-fashioned manual typewriter is sitting on the desk. |
| | 847 | |
| | 848 | Someone has jabbed a dagger into the top of the desk, leaving the dagger |
| | 849 | sticking up almost vertically. |
| | 850 | |
| | 851 | On the desk are a watch, a pen cup, a jar of Bob's Brand Premium Fish Cleaner, |
| | 852 | and a bottle (which contains a model ship). The pen cup contains four pens. |
| | 853 | |
| | 854 | The phone is ringing. |
| | 855 | |
| | 856 | >w |
| | 857 | Living Room |
| | 858 | It's a nice, big room. A potted plant is the only attempt at decoration. |
| | 859 | Passages lead north, east, and west. To the south, the front door of the house |
| | 860 | leads outside. |
| | 861 | |
| | 862 | An old television, a huge, boxy, massive-looking thing, sits on the floor. |
| | 863 | |
| | 864 | You see a PO Box, a small red ball, a red book, an iron key, a clear jar (which |
| | 865 | contains a copper coin), a green jar (which contains a copper coin), a blue |
| | 866 | test booklet, a brass key, a brown box, a tricycle, a rusty key, a green ball, |
| | 867 | an 8-ball, a large red ball, eight coins (five gold and three silver), and a |
| | 868 | phone book here. |
| | 869 | |
| | 870 | The beeper is making a piercing beeping noise. |
| | 871 | |
| | 872 | >n |
| | 873 | Dining Room |
| | 874 | This medium-sized room has a dining table and a couple of chairs, one |
| | 875 | upholstered in dark fabric and other in light fabric. A door (open) leads |
| | 876 | north. |
| | 877 | |
| | 878 | A small alcove is set near the top of one wall, up near the ceiling. |
| | 879 | |
| | 880 | A bouquet of flowers is arranged in a vase in the center of the table. |
| | 881 | |
| | 882 | On the table are a red candle and a white candle (providing light). |
| | 883 | |
| | 884 | Bill is sitting on the darker chair. |
| | 885 | |
| | 886 | Bob is sitting on the lighter chair. |
| | 887 | |
| | 888 | The flowers have a pleasant fragrance. |
| | 889 | |
| | 890 | The white candle burns down too far to stay lit, and goes out. |
| | 891 | |
| | 892 | >bob, s, e. |
| | 893 | Bob stands up. |
| | 894 | |
| | 895 | Bob leaves to the south. |
| | 896 | |
| | 897 | >bill, s, e |
| | 898 | Bill stands up. |
| | 899 | |
| | 900 | Bill leaves to the south. |
| | 901 | |
| | 902 | The beeper is making a piercing beeping noise. |
| | 903 | |
| | 904 | >s |
| | 905 | Living Room |
| | 906 | It's a nice, big room. A potted plant is the only attempt at decoration. |
| | 907 | Passages lead north, east, and west. To the south, the front door of the house |
| | 908 | leads outside. |
| | 909 | |
| | 910 | An old television, a huge, boxy, massive-looking thing, sits on the floor. |
| | 911 | |
| | 912 | You see a PO Box, a small red ball, a red book, an iron key, a clear jar (which |
| | 913 | contains a copper coin), a green jar (which contains a copper coin), a blue |
| | 914 | test booklet, a brass key, a brown box, a tricycle, a rusty key, a green ball, |
| | 915 | an 8-ball, a large red ball, eight coins (five gold and three silver), and a |
| | 916 | phone book here. |
| | 917 | |
| | 918 | >e |
| | 919 | Den |
| | 920 | This small room is dominated by a desk, a massive steel edifice painted a drab |
| | 921 | gray, something that would be more at home in a government office during the |
| | 922 | cold war. Behind the desk, built in to the north wall, is a bookcase. A |
| | 923 | passage leads west. |
| | 924 | |
| | 925 | A big, old-fashioned manual typewriter is sitting on the desk. |
| | 926 | |
| | 927 | Someone has jabbed a dagger into the top of the desk, leaving the dagger |
| | 928 | sticking up almost vertically. |
| | 929 | |
| | 930 | On the desk are a watch, a pen cup, a jar of Bob's Brand Premium Fish Cleaner, |
| | 931 | and a bottle (which contains a model ship). The pen cup contains four pens. |
| | 932 | |
| | 933 | Bill and Bob are standing here. |
| | 934 | |
| | 935 | The phone is ringing. |
| | 936 | |
| | 937 | >bob, get bob's fish cleaner |
| | 938 | Bob takes the jar of Bob's Brand Premium Fish Cleaner. |
| | 939 | |
| | 940 | The beeper is making a piercing beeping noise. |
| | 941 | |
| | 942 | >x bob's fish cleaner |
| | 943 | It presumably once held fish cleaner (whatever that is), but it's just an empty |
| | 944 | jar now. |
| | 945 | |
| | 946 | The phone is still ringing. |
| | 947 | |
| | 948 | >x bill's fish cleaner |
| | 949 | Bill does not appear to have any such thing. |
| | 950 | |
| | 951 | >bob, drop fish cleaner. bill, get fish cleaner. |
| | 952 | Bob puts down the jar of Bob's Brand Premium Fish Cleaner. |
| | 953 | |
| | 954 | Bill takes the jar of Bob's Brand Premium Fish Cleaner. |
| | 955 | |
| | 956 | >x bill's fish cleaner |
| | 957 | It presumably once held fish cleaner (whatever that is), but it's just an empty |
| | 958 | jar now. |
| | 959 | |
| | 960 | The beeper is making a piercing beeping noise. |
| | 961 | |
| | 962 | >x bob's fish cleaner |
| | 963 | It presumably once held fish cleaner (whatever that is), but it's just an empty |
| | 964 | jar now. |
| | 965 | |
| | 966 | The phone is still ringing. |
| | 967 | |
| | 968 | >x bill's bob's fish cleaner |
| | 969 | It presumably once held fish cleaner (whatever that is), but it's just an empty |
| | 970 | jar now. |
| | 971 | |
| | 972 | >x bob's bill's fish cleaner |
| | 973 | You see no bob's bill here. |
| | 974 | |
| | 975 | >n |
| | 976 | You can't go that way. The only obvious exit leads west, back to the living |
| | 977 | room. |
| | 978 | |
| | 979 | >x bookcase |
| | 980 | It's a floor-to-ceiling bookcase built in to the north wall, behind the desk, |
| | 981 | filled with hundreds of dusty tomes. |
| | 982 | |
| | 983 | The beeper is making a piercing beeping noise. |
| | 984 | |
| | 985 | >open it |
| | 986 | That is not something you can open. |
| | 987 | |
| | 988 | >x passage |
| | 989 | You see no passage here. |
| | 990 | |
| | 991 | >x lever |
| | 992 | You see no lever here. |
| | 993 | |
| | 994 | >x panel |
| | 995 | You see no panel here. |
| | 996 | |
| | 997 | >push button |
| | 998 | A previously hidden panel in the side of the desk opens, revealing a small |
| | 999 | compartment containing a lever. |
| | 1000 | |
| | 1001 | >x panel |
| | 1002 | It's a small compartment, just large enough to contain the lever it enclosed. |
| | 1003 | |
| | 1004 | >x passage |
| | 1005 | You see no passage here. |
| | 1006 | |
| | 1007 | >pull lever |
| | 1008 | The lever is surprisingly heavy, but you manage to pull it all the way out. At |
| | 1009 | the end of its travel, something under the floor clicks, and the bookcase |
| | 1010 | behind the desk slides sideways far enough to open a passage to the north. As |
| | 1011 | soon as you release the lever, it springs back to its original position. |
| | 1012 | |
| | 1013 | The beeper is making a piercing beeping noise. |
| | 1014 | |
| | 1015 | >x passage |
| | 1016 | It leads north. |
| | 1017 | |
| | 1018 | The phone is still ringing. |
| | 1019 | |
| | 1020 | >x bookcase |
| | 1021 | It's a floor-to-ceiling bookcase built in to the north wall, behind the desk, |
| | 1022 | filled with hundreds of dusty tomes. The bookcase is evidently a secret door, |
| | 1023 | because it has moved sideways to expose a passage to the north. |
| | 1024 | |
| | 1025 | >n |
| | 1026 | Top of Stairs |
| | 1027 | This is the top of a narrow spiral staircase that leads down a dark shaft |
| | 1028 | walled in rough brown bricks. A passage leads south. |
| | 1029 | |
| | 1030 | >s |
| | 1031 | Den |
| | 1032 | This small room is dominated by a desk, a massive steel edifice painted a drab |
| | 1033 | gray, something that would be more at home in a government office during the |
| | 1034 | cold war. Behind the desk, built in to the north wall, is a bookcase. A |
| | 1035 | passage leads west. |
| | 1036 | |
| | 1037 | A big, old-fashioned manual typewriter is sitting on the desk. |
| | 1038 | |
| | 1039 | Someone has jabbed a dagger into the top of the desk, leaving the dagger |
| | 1040 | sticking up almost vertically. |
| | 1041 | |
| | 1042 | The bookcase has moved aside to reveal a passage to the north. |
| | 1043 | |
| | 1044 | On the desk are a watch, a pen cup, and a bottle (which contains a model ship). |
| | 1045 | The pen cup contains four pens. |
| | 1046 | |
| | 1047 | Bill and Bob are standing here. |
| | 1048 | |
| | 1049 | The phone is ringing. |
| | 1050 | |
| | 1051 | The beeper is making a piercing beeping noise. |
| | 1052 | |
| | 1053 | >close psasage |
| | 1054 | The word "psasage" is not necessary in this story. |
| | 1055 | |
| | 1056 | >close passage |
| | 1057 | That is not something you can close. |
| | 1058 | |
| | 1059 | >open it |
| | 1060 | That is not something you can open. |
| | 1061 | |
| | 1062 | The phone is still ringing. |
| | 1063 | |
| | 1064 | >n |
| | 1065 | Top of Stairs |
| | 1066 | This is the top of a narrow spiral staircase that leads down a dark shaft |
| | 1067 | walled in rough brown bricks. A passage leads south. |
| | 1068 | |
| | 1069 | >d |
| | 1070 | Bottom of Stairs |
| | 1071 | This is the bottom of a narrow spiral staircase. Apart from the stairs, the |
| | 1072 | only exit is the door to the south. |
| | 1073 | |
| | 1074 | You see a washing machine here. |
| | 1075 | |
| | 1076 | The beeper is making a piercing beeping noise. |
| | 1077 | |
| | 1078 | >turn off flashl |
| | 1079 | Okay, the flashlight is now off. |
| | 1080 | |
| | 1081 | It is now pitch black. |
| | 1082 | |
| | 1083 | >u |
| | 1084 | Top of Stairs |
| | 1085 | This is the top of a narrow spiral staircase that leads down a dark shaft |
| | 1086 | walled in rough brown bricks. A passage leads south. |
| | 1087 | |
| | 1088 | > |
| | 1089 | I beg your pardon? |
| | 1090 | |
| | 1091 | >d |
| | 1092 | In the dark |
| | 1093 | It's pitch black. |
| | 1094 | |
| | 1095 | >s |
| | 1096 | It's too dark; you can't see where you're going. |
| | 1097 | |
| | 1098 | You can hear a high-pitched beeping noise. |
| | 1099 | |
| | 1100 | >light flashl |
| | 1101 | Okay, the flashlight is now on. |
| | 1102 | |
| | 1103 | Bottom of Stairs |
| | 1104 | This is the bottom of a narrow spiral staircase. Apart from the stairs, the |
| | 1105 | only exit is the door to the south. |
| | 1106 | |
| | 1107 | You see a washing machine here. |
| | 1108 | |
| | 1109 | >s |
| | 1110 | (first trying to open the iron door) |
| | 1111 | The iron door seems to be locked. |
| | 1112 | |
| | 1113 | >u |
| | 1114 | Top of Stairs |
| | 1115 | This is the top of a narrow spiral staircase that leads down a dark shaft |
| | 1116 | walled in rough brown bricks. A passage leads south. |
| | 1117 | |
| | 1118 | >s |
| | 1119 | Den |
| | 1120 | This small room is dominated by a desk, a massive steel edifice painted a drab |
| | 1121 | gray, something that would be more at home in a government office during the |
| | 1122 | cold war. Behind the desk, built in to the north wall, is a bookcase. A |
| | 1123 | passage leads west. |
| | 1124 | |
| | 1125 | A big, old-fashioned manual typewriter is sitting on the desk. |
| | 1126 | |
| | 1127 | Someone has jabbed a dagger into the top of the desk, leaving the dagger |
| | 1128 | sticking up almost vertically. |
| | 1129 | |
| | 1130 | The bookcase has moved aside to reveal a passage to the north. |
| | 1131 | |
| | 1132 | On the desk are a watch, a pen cup, and a bottle (which contains a model ship). |
| | 1133 | The pen cup contains four pens. |
| | 1134 | |
| | 1135 | Bill and Bob are standing here. |
| | 1136 | |
| | 1137 | The phone is ringing. |
| | 1138 | |
| | 1139 | The beeper is making a piercing beeping noise. |
| | 1140 | |
| | 1141 | >w |
| | 1142 | Living Room |
| | 1143 | It's a nice, big room. A potted plant is the only attempt at decoration. |
| | 1144 | Passages lead north, east, and west. To the south, the front door of the house |
| | 1145 | leads outside. |
| | 1146 | |
| | 1147 | An old television, a huge, boxy, massive-looking thing, sits on the floor. |
| | 1148 | |
| | 1149 | You see a PO Box, a small red ball, a red book, an iron key, a clear jar (which |
| | 1150 | contains a copper coin), a green jar (which contains a copper coin), a blue |
| | 1151 | test booklet, a brass key, a brown box, a tricycle, a rusty key, a green ball, |
| | 1152 | an 8-ball, a large red ball, eight coins (five gold and three silver), and a |
| | 1153 | phone book here. |
| | 1154 | |
| | 1155 | >get keys |
| | 1156 | brass key: You pick up the brass key and attach it to the keyring. |
| | 1157 | rusty key: You pick up the rusty key and attach it to the keyring. |
| | 1158 | iron key: You pick up the iron key and attach it to the keyring. |
| | 1159 | |
| | 1160 | >e |
| | 1161 | Den |
| | 1162 | This small room is dominated by a desk, a massive steel edifice painted a drab |
| | 1163 | gray, something that would be more at home in a government office during the |
| | 1164 | cold war. Behind the desk, built in to the north wall, is a bookcase. A |
| | 1165 | passage leads west. |
| | 1166 | |
| | 1167 | A big, old-fashioned manual typewriter is sitting on the desk. |
| | 1168 | |
| | 1169 | Someone has jabbed a dagger into the top of the desk, leaving the dagger |
| | 1170 | sticking up almost vertically. |
| | 1171 | |
| | 1172 | The bookcase has moved aside to reveal a passage to the north. |
| | 1173 | |
| | 1174 | On the desk are a watch, a pen cup, and a bottle (which contains a model ship). |
| | 1175 | The pen cup contains four pens. |
| | 1176 | |
| | 1177 | Bill and Bob are standing here. |
| | 1178 | |
| | 1179 | The phone is ringing. |
| | 1180 | |
| | 1181 | >n |
| | 1182 | Top of Stairs |
| | 1183 | This is the top of a narrow spiral staircase that leads down a dark shaft |
| | 1184 | walled in rough brown bricks. A passage leads south. |
| | 1185 | |
| | 1186 | The beeper is making a piercing beeping noise. |
| | 1187 | |
| | 1188 | >d |
| | 1189 | Bottom of Stairs |
| | 1190 | This is the bottom of a narrow spiral staircase. Apart from the stairs, the |
| | 1191 | only exit is the door to the south. |
| | 1192 | |
| | 1193 | You see a washing machine here. |
| | 1194 | |
| | 1195 | >s |
| | 1196 | (first trying to open the iron door) |
| | 1197 | The iron door seems to be locked. |
| | 1198 | |
| | 1199 | >unlock door |
| | 1200 | (first taking the keyring from the duffel bag) |
| | 1201 | You try each key on the keyring, and find that the iron key fits the lock. |
| | 1202 | Unlocked. |
| | 1203 | |
| | 1204 | >drop keys |
| | 1205 | brass key: Dropped. |
| | 1206 | rusty key: Dropped. |
| | 1207 | iron key: Dropped. |
| | 1208 | |
| | 1209 | The beeper is making a piercing beeping noise. |
| | 1210 | |
| | 1211 | >s |
| | 1212 | (first opening the iron door) |
| | 1213 | |
| | 1214 | Tunnel |
| | 1215 | This low, narrow tunnel is walled in old, dark gray concrete or something |
| | 1216 | similar. The walls curve inward at shoulder level to form an arched ceiling |
| | 1217 | just barely high enough at the center to allow walking without bending your |
| | 1218 | neck. The passage ends to the north at an iron door, and ends at the south in |
| | 1219 | an earthen wall. A narrow side passage leads west. |
| | 1220 | |
| | 1221 | >n |
| | 1222 | Bottom of Stairs |
| | 1223 | This is the bottom of a narrow spiral staircase. Apart from the stairs, the |
| | 1224 | only exit is the door to the south. |
| | 1225 | |
| | 1226 | You see a washing machine, a brass key, a rusty key, and an iron key here. |
| | 1227 | |
| | 1228 | >lock door |
| | 1229 | What do you want to lock it with? |
| | 1230 | |
| | 1231 | >iron key |
| | 1232 | (first closing the iron door, then putting the cookie tin in the duffel bag to |
| | 1233 | make room, then taking the iron key) |
| | 1234 | Locked. |
| | 1235 | |
| | 1236 | >dorp key |
| | 1237 | The word "dorp" is not necessary in this story. |
| | 1238 | |
| | 1239 | >drop key |
| | 1240 | You drop the iron key. |
| | 1241 | |
| | 1242 | The beeper is making a piercing beeping noise. |
| | 1243 | |
| | 1244 | >s |
| | 1245 | (first trying to open the iron door) |
| | 1246 | The iron door seems to be locked. |
| | 1247 | |
| | 1248 | >i |
| | 1249 | You are carrying a duffel bag (which contains a trophy, a book of matches |
| | 1250 | (which contains two matches), a match, and a cookie tin (which contains a |
| | 1251 | stretchy bag (which contains an inflatable rubber raft))), a beeper, a |
| | 1252 | flashlight (providing light), and a keyring. |
| | 1253 | |
| | 1254 | The beeper is making a piercing beeping noise. |
| | 1255 | |
| | 1256 | >x trophy |
| | 1257 | It's shaped like a big cup, and looks to be made of silver. |
| | 1258 | |
| | 1259 | >x washer |
| | 1260 | It's a beat-up old washing machine. A big dial is the only obvious control. |
| | 1261 | It's closed. |
| | 1262 | |
| | 1263 | >x dial |
| | 1264 | The dial has stops labeled Wash, Rinse, Spin, and Stop. It's currently set to |
| | 1265 | Wash. |
| | 1266 | |
| | 1267 | >open washer |
| | 1268 | Opened. |
| | 1269 | |
| | 1270 | The beeper is making a piercing beeping noise. |
| | 1271 | |
| | 1272 | >look in it |
| | 1273 | You see nothing unusual in the washing machine. |
| | 1274 | |
| | 1275 | >close it |
| | 1276 | Closed. |
| | 1277 | |
| | 1278 | >x dial |
| | 1279 | The dial has stops labeled Wash, Rinse, Spin, and Stop. It's currently set to |
| | 1280 | Wash. |
| | 1281 | |
| | 1282 | >turn dial to hello |
| | 1283 | The control dial has no such setting. |
| | 1284 | |
| | 1285 | The beeper is making a piercing beeping noise. |
| | 1286 | |
| | 1287 | >turn dial to asdf |
| | 1288 | The control dial has no such setting. |
| | 1289 | |
| | 1290 | >turn dial to 7 |
| | 1291 | The control dial has no such setting. |
| | 1292 | |
| | 1293 | >turn dial to STOP |
| | 1294 | Okay, the control dial is now set to Stop. |
| | 1295 | |
| | 1296 | >turn dial to Spin |
| | 1297 | Okay, the control dial is now set to Spin. |
| | 1298 | |
| | 1299 | The beeper is making a piercing beeping noise. |
| | 1300 | |
| | 1301 | >turn dial to rinse |
| | 1302 | Okay, the control dial is now set to Rinse. |
| | 1303 | |
| | 1304 | >x dial |
| | 1305 | The dial has stops labeled Wash, Rinse, Spin, and Stop. It's currently set to |
| | 1306 | Rinse. |
| | 1307 | |
| | 1308 | >u |
| | 1309 | Top of Stairs |
| | 1310 | This is the top of a narrow spiral staircase that leads down a dark shaft |
| | 1311 | walled in rough brown bricks. A passage leads south. |
| | 1312 | |
| | 1313 | >s |
| | 1314 | Den |
| | 1315 | This small room is dominated by a desk, a massive steel edifice painted a drab |
| | 1316 | gray, something that would be more at home in a government office during the |
| | 1317 | cold war. Behind the desk, built in to the north wall, is a bookcase. A |
| | 1318 | passage leads west. |
| | 1319 | |
| | 1320 | A big, old-fashioned manual typewriter is sitting on the desk. |
| | 1321 | |
| | 1322 | Someone has jabbed a dagger into the top of the desk, leaving the dagger |
| | 1323 | sticking up almost vertically. |
| | 1324 | |
| | 1325 | The bookcase has moved aside to reveal a passage to the north. |
| | 1326 | |
| | 1327 | On the desk are a watch, a pen cup, and a bottle (which contains a model ship). |
| | 1328 | The pen cup contains four pens. |
| | 1329 | |
| | 1330 | Bill and Bob are standing here. |
| | 1331 | |
| | 1332 | The phone is ringing. |
| | 1333 | |
| | 1334 | The beeper is making a piercing beeping noise. |
| | 1335 | |
| | 1336 | >x ship |
| | 1337 | It's a miniature model of a sailing ship. |
| | 1338 | |
| | 1339 | >get it |
| | 1340 | (first putting the beeper in the duffel bag to make room) |
| | 1341 | You can't do that because the model ship is too big to take out of the bottle. |
| | 1342 | |
| | 1343 | The phone is still ringing. |
| | 1344 | |
| | 1345 | >get dagger |
| | 1346 | Taken. |
| | 1347 | |
| | 1348 | >l |
| | 1349 | Den |
| | 1350 | This small room is dominated by a desk, a massive steel edifice painted a drab |
| | 1351 | gray, something that would be more at home in a government office during the |
| | 1352 | cold war. Behind the desk, built in to the north wall, is a bookcase. A |
| | 1353 | passage leads west. |
| | 1354 | |
| | 1355 | A big, old-fashioned manual typewriter is sitting on the desk. |
| | 1356 | |
| | 1357 | The bookcase has moved aside to reveal a passage to the north. |
| | 1358 | |
| | 1359 | On the desk are a watch, a pen cup, and a bottle (which contains a model ship). |
| | 1360 | The pen cup contains four pens. |
| | 1361 | |
| | 1362 | Bill and Bob are standing here. |
| | 1363 | |
| | 1364 | The phone is still ringing. |
| | 1365 | |
| | 1366 | The beeper is making a piercing beeping noise. |
| | 1367 | |
| | 1368 | >x passage |
| | 1369 | It leads north. |
| | 1370 | |
| | 1371 | >x bookcase |
| | 1372 | It's a floor-to-ceiling bookcase built in to the north wall, behind the desk, |
| | 1373 | filled with hundreds of dusty tomes. The bookcase is evidently a secret door, |
| | 1374 | because it has moved sideways to expose a passage to the north. |
| | 1375 | |
| | 1376 | >x typewriter |
| | 1377 | It's big, black, manual typewriter, like something out of an old black-and- |
| | 1378 | white movie about newspapermen or private detectives. There's a piece of paper |
| | 1379 | in it. |
| | 1380 | |
| | 1381 | >type Hello therE on typewriter |
| | 1382 | With some effort, you work the keys of the ancient machine, noisily impressing |
| | 1383 | "Hello therE" on the paper. |
| | 1384 | |
| | 1385 | The beeper is making a piercing beeping noise. |
| | 1386 | |
| | 1387 | The phone is still ringing. |
| | 1388 | |
| | 1389 | >type GoodBye |
| | 1390 | (on the typewriter) |
| | 1391 | With some effort, you work the keys of the ancient machine, noisily impressing |
| | 1392 | "GoodBye" on the paper. |
| | 1393 | |
| | 1394 | >x paper |
| | 1395 | The typewritten letters on the page have that uneven darkness and wandering |
| | 1396 | alignment characteristic of the work a well-worn manual typewriter: |
| | 1397 | |
| | 1398 | Hello therE |
| | 1399 | GoodBye |
| | 1400 | |
| | 1401 | >read it |
| | 1402 | The typewritten letters on the page have that uneven darkness and wandering |
| | 1403 | alignment characteristic of the work a well-worn manual typewriter: |
| | 1404 | |
| | 1405 | Hello therE |
| | 1406 | GoodBye |
| | 1407 | |
| | 1408 | >listen |
| | 1409 | The beeper is making a piercing beeping noise. |
| | 1410 | |
| | 1411 | The phone is still ringing. |
| | 1412 | |
| | 1413 | >answer phone |
| | 1414 | You pick up the handset, but there's nothing but static on the line. At least |
| | 1415 | it stops ringing. You put the handset back, and the phone starts ringing |
| | 1416 | again. |
| | 1417 | |
| | 1418 | >w |
| | 1419 | Living Room |
| | 1420 | It's a nice, big room. A potted plant is the only attempt at decoration. |
| | 1421 | Passages lead north, east, and west. To the south, the front door of the house |
| | 1422 | leads outside. |
| | 1423 | |
| | 1424 | An old television, a huge, boxy, massive-looking thing, sits on the floor. |
| | 1425 | |
| | 1426 | You see a PO Box, a small red ball, a red book, a clear jar (which contains a |
| | 1427 | copper coin), a green jar (which contains a copper coin), a blue test booklet, |
| | 1428 | a brown box, a tricycle, a green ball, an 8-ball, a large red ball, eight coins |
| | 1429 | (five gold and three silver), and a phone book here. |
| | 1430 | |
| | 1431 | >listen |
| | 1432 | The beeper is making a piercing beeping noise. |
| | 1433 | |
| | 1434 | >smell |
| | 1435 | You smell nothing out of the ordinary. |
| | 1436 | |
| | 1437 | >n |
| | 1438 | Dining Room |
| | 1439 | This medium-sized room has a dining table and a couple of chairs, one |
| | 1440 | upholstered in dark fabric and other in light fabric. A door (open) leads |
| | 1441 | north. |
| | 1442 | |
| | 1443 | A small alcove is set near the top of one wall, up near the ceiling. |
| | 1444 | |
| | 1445 | A bouquet of flowers is arranged in a vase in the center of the table. |
| | 1446 | |
| | 1447 | On the table are a red candle and a white candle. |
| | 1448 | |
| | 1449 | The flowers have a pleasant fragrance. |
| | 1450 | |
| | 1451 | >listen |
| | 1452 | The beeper is making a piercing beeping noise. |
| | 1453 | |
| | 1454 | >smell |
| | 1455 | The flowers have a pleasant fragrance. |
| | 1456 | |
| | 1457 | >s |
| | 1458 | Living Room |
| | 1459 | It's a nice, big room. A potted plant is the only attempt at decoration. |
| | 1460 | Passages lead north, east, and west. To the south, the front door of the house |
| | 1461 | leads outside. |
| | 1462 | |
| | 1463 | An old television, a huge, boxy, massive-looking thing, sits on the floor. |
| | 1464 | |
| | 1465 | You see a PO Box, a small red ball, a red book, a clear jar (which contains a |
| | 1466 | copper coin), a green jar (which contains a copper coin), a blue test booklet, |
| | 1467 | a brown box, a tricycle, a green ball, an 8-ball, a large red ball, eight coins |
| | 1468 | (five gold and three silver), and a phone book here. |
| | 1469 | |
| | 1470 | >s |
| | 1471 | Front Yard |
| | 1472 | This is a small yard in front of a modest house. The front door to the house |
| | 1473 | leads in to the north. To the south is the street. |
| | 1474 | |
| | 1475 | You see seven red balloons (two inflated, one uninflated, four popped), three |
| | 1476 | blue balloons (two inflated, one uninflated), and five green balloons (all |
| | 1477 | popped) here. |
| | 1478 | |
| | 1479 | A youngish man in a garish suit is standing in the yard near the front door. |
| | 1480 | |
| | 1481 | The man in the bad suit walks up to you and extends his hand; by habit you |
| | 1482 | shake his hand. "Hello, friend! My name is Ron, and I represent the Acturial |
| | 1483 | Life Insurance Company." He releases your hand after a vigorous shaking. "You |
| | 1484 | know, a lot of people I talk to don't know just how important life insurance is |
| | 1485 | to proper financial planning. Let me ask you this: do you have all the life |
| | 1486 | insurance coverage you and your family need?" |
| | 1487 | |
| | 1488 | A couple of bicyclists pedal past on the street. |
| | 1489 | |
| | 1490 | >yes |
| | 1491 | "I'm covered," you say. |
| | 1492 | |
| | 1493 | Ron smiles and nods. "You know, a lot of people think they're covered. But |
| | 1494 | have you really read your insurance policy? Most insurance policies have so |
| | 1495 | many exclusions and limitations that you just can't rely on them. That's why |
| | 1496 | Acturial Life created a new kind of insurance policy. Let me tell you about |
| | 1497 | it..." |
| | 1498 | |
| | 1499 | The beeper is making a piercing beeping noise. |
| | 1500 | |
| | 1501 | >ask ron about policy |
| | 1502 | "Okay, tell me about your policy," you say. |
| | 1503 | |
| | 1504 | "Our policy is the best in the business," Ron says. "For starters, it's |
| | 1505 | guaranteed go pay, which most policies aren't. There's so much more I can tell |
| | 1506 | you." |
| | 1507 | |
| | 1508 | A car drives past. |
| | 1509 | |
| | 1510 | >bye |
| | 1511 | "Thanks, but not right now," you say. |
| | 1512 | |
| | 1513 | "I'll be here when you're ready!" the salesman says. |
| | 1514 | |
| | 1515 | >z.z.z.z.z |
| | 1516 | Time passes... |
| | 1517 | |
| | 1518 | Time passes... |
| | 1519 | |
| | 1520 | The beeper is making a piercing beeping noise. |
| | 1521 | |
| | 1522 | Time passes... |
| | 1523 | |
| | 1524 | A couple of bicyclists pedal past on the street. |
| | 1525 | |
| | 1526 | Time passes... |
| | 1527 | |
| | 1528 | Time passes... |
| | 1529 | |
| | 1530 | >n |
| | 1531 | Living Room |
| | 1532 | It's a nice, big room. A potted plant is the only attempt at decoration. |
| | 1533 | Passages lead north, east, and west. To the south, the front door of the house |
| | 1534 | leads outside. |
| | 1535 | |
| | 1536 | An old television, a huge, boxy, massive-looking thing, sits on the floor. |
| | 1537 | |
| | 1538 | You see a PO Box, a small red ball, a red book, a clear jar (which contains a |
| | 1539 | copper coin), a green jar (which contains a copper coin), a blue test booklet, |
| | 1540 | a brown box, a tricycle, a green ball, an 8-ball, a large red ball, eight coins |
| | 1541 | (five gold and three silver), and a phone book here. |
| | 1542 | |
| | 1543 | The beeper is making a piercing beeping noise. |
| | 1544 | |
| | 1545 | >s |
| | 1546 | Front Yard |
| | 1547 | This is a small yard in front of a modest house. The front door to the house |
| | 1548 | leads in to the north. To the south is the street. |
| | 1549 | |
| | 1550 | You see seven red balloons (two inflated, one uninflated, four popped), three |
| | 1551 | blue balloons (two inflated, one uninflated), and five green balloons (all |
| | 1552 | popped) here. |
| | 1553 | |
| | 1554 | The salesman is standing in the yard. |
| | 1555 | |
| | 1556 | Ron walks up to you. "Hello again, friend! It would be my pleasure to help |
| | 1557 | you with your insurance needs." |
| | 1558 | |
| | 1559 | >z.z.z.z.z. |
| | 1560 | Time passes... |
| | 1561 | |
| | 1562 | The salesman says, "I'm really glad I was in the neighborhood today. Everyone |
| | 1563 | needs more insurance than they think." |
| | 1564 | |
| | 1565 | Time passes... |
| | 1566 | |
| | 1567 | The salesman looks serious for a moment. "Most people don't know this, but |
| | 1568 | death is our number one killer," he says earnestly. He goes back to smiling. |
| | 1569 | "Fortunately, death is covered under our policy's loss-of-life section." |
| | 1570 | |
| | 1571 | Time passes... |
| | 1572 | |
| | 1573 | Ron says, "You know, life insurance is a lot more interesting than most people |
| | 1574 | think." |
| | 1575 | |
| | 1576 | The beeper is making a piercing beeping noise. |
| | 1577 | |
| | 1578 | Time passes... |
| | 1579 | |
| | 1580 | The salesman says, "I'm really glad I was in the neighborhood today. Everyone |
| | 1581 | needs more insurance than they think." |
| | 1582 | |
| | 1583 | A car drives past. |
| | 1584 | |
| | 1585 | Time passes... |
| | 1586 | |
| | 1587 | Ron says, "You know, life insurance is a lot more interesting than most people |
| | 1588 | think." |
| | 1589 | |
| | 1590 | >ask ron about company |
| | 1591 | "I've never heard of your company," you say. |
| | 1592 | |
| | 1593 | "Most people haven't," Ron says. "We're the best-kept secret in the business." |
| | 1594 | |
| | 1595 | >quit |
| | 1596 | Do you really want to quit? (Y is affirmative) > yes |
| | 1597 | |
| | 1598 | Thanks for playing the Library Sample Game! |
| | 1599 | |